Art Lover: A Biography of Peggy Guggenheim
by:
Gill, Anton
Publisher:
HarperCollins
Published:April 2, 2002
ISBN:0060196971
Format:Hardcover
Pages:496
Description:
From Library Journal
A larger-than-life biography of a larger-than-life art patron.
Copyright 2001 Reed Business Information, Inc.
From Booklist
Guggenheim, a classic "poor little rich girl," was known as much for her sexual exploits as
for her championing of modern art, a fact Gill, the author of numerous works, including An Honorable Defeat: The German Resistance to Hitler (1994), examines with candor, sensitivity, and mellifluous grace. After her father died aboard the Titanic when
she was 14, Guggenheim evolved into a lonely, rebellious young woman painfully self-conscious about her less than perfect appearance and therefore burdened... read more
Book Description
"Mrs. Guggenheim, how many husbands have you had?" she
was once asked. "D'you mean my own, or other people's?"
Peggy Guggenheim's tempestuous life (1898-1979) spanned the most exciting and volatile years of the twentieth century, and she lived it to the full. How she became one of the century's
foremost collectors of modern art-and one of its most formidable lovers-is the subject of this lively and authoritative biography.
Her father, Benjamin Guggenheim, went down with the Titanic en route home from installing the elevator machinery in
the Eiffel Tower, and it was in Paris in the 1930s that the young heiress came into a small fortune and began to make her mark in the art world. Uneasily married to the alcoholic English dilettante writer Laurence Vail, she joined the American expatriate
bohemian set. Though her many lovers included such lions of the worlds of art and literature as Samuel Beckett, Max Ernst (whom she later married), Yves Tanguy, and Roland Penrose, real love always seemed to elude her.
In the later 1930s, Peggy
set up one of the first galleries of modern art in London, quickly acquiring a magnificent selection of works by Picasso (who snubbed her), Magritte, Mirand#243;, and Brancusi, and buying great numbers of paintings from artists fleeing to America after
the Nazi invasion of France. Escaping from Vichy, she moved back to New York, where she was hugely influential in assisting the beginnings of the new American abstract expressionist movement (in particular, Jackson Pollock).
Meticulously
researched, filled with colorful incident, and boasting a distinguished cast, Anton Gill's biography reveals the inner drives of a remarkable woman and indefatigable patron of the arts.
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